| Updated info on latest Marija Temo Model
Marija Temo Model flamenco/classical hybrid™
To place an order for your own Marija Temo Model, contact Tom Rodriguez at www.Rodriguezguitars.com Each of the Model's will include my signature on the label.
The “Marija Temo” Model is a hybrid flamenco and classical guitar which Tom Rodriguez, luthier, and myself designed together. We started attempting to make the hybrid around 1999, and in 2003 it was achieved. I had this idea for years to be able to play both flamenco and
classical techniques on one guitar, simply because I had been equally
playing both styles, and now, my playing is an absolute combination of the two styles where I naturally flow from one to the other. The hybrid guitar successfully combines and balances both flamenco and classical features in a single guitar. It is extremely loud, and has a bright and passionate tone when used for flamenco. The
action is low enough to facilitate effortless right-hand flamenco
strumming techniques, and yet is high enough to enable the warm,
beautiful quality of the notes to be sustained and heard clearly when
classical music is played. The craftsmanship and the consistency of these guitars are superb.
It has taken several attempts to develop and refine a guitar that embodies classical
as well as flamenco qualities, and that is representative of both
styles. I am overjoyed to
be playing an instrument that allows me to combine the two styles
without limitations or compromises. It is a joy to converse with my
instrument and discover what it has to say.


Updated info on latest Marija Temo Model Tom
is always striving to make improvements. The latest Marija Temo Model
made special for myself, April 2008, is a cedar top with an indian
rosewood back. The binding is made of maple, and the rosette is made of
amboyna (a natural red wood). Personally, I wanted a rosette that would
represent flamenco, which for me is a red, passionate color. In
addition he has added a soundport which makes you feel as if you are
playing in stereo, and it also projects extra sound to the audience. He
apparently has also changed the way he is going about bracing the
guitar and with these latest changes, I hear an enormous amount of
sound projecting from the instrument. It is like playing in surround
sound. After playing a Spruce top for many years, it will be exciting
and interesting to play on this new cedar guitar.
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